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He and I work from separate rooms, and we can go entire days without speaking to one another. Our household thrives from having a routine, it keeps us grounded, focused on our goals and tasks at hand without driving each other crazy! Any kind of boredom creeping into my daily routine turns into doing something productive, keeping my house plants alive, reading more, playing guitar more.
My bandmate is a five-minute drive from my house, so we can still work on the band, stressing the importance and safety of keeping our pod very small. Recover is an album that is very personal to you, what has it been like sharing your story through music? Honesty in my songwriting is a natural knee jerk reflex. However, talking about it is something that will never get old. The most rewarding thing from talking about my work is how far it has reached and helped someone.
How has your life and upbringing inspired you? My mother and father were refugees fleeing Laos from the overspill of the Vietnam war. I was born in NZ; we were poor and, we were lucky to have a wonderful refugee resettlement volunteer to help my dad fill out forms to apply for jobs, helping raise a household of five children, enrolling us in school, and making sure we were ok. We lost our mother when I was seven years old, and that kind of loss has had an immense impact on me as a human being.
That kind of loss demanded resilience and survival from me as I weathered the various growing pains and stages of my life. Music was my respite and, I would follow wherever it would lead me. I searched for every opportunity along my path, where there could be music in my life. School choirs, vocal groups, musical theatre, I learned to play the guitar at thirteen years old and begun writing my own songs.
How has the industry changed since you first entered it? What are the necessary changes that need to be made within the industry to make it more diverse? But, I do have high hopes. To me, diversity means different experiences and perspectives enriching and reflecting the people in the culture we actually live in today. How did you first get into music? I first got into music at a young age. My father was a singer in a Laos community band in South Auckland. My oldest brother listened to their records, and consequently, I did too.
Singing brings so much joy in my life. I worked at a record store for a few years in my early twenties, which gave me a wealth of knowledge and access to listen to so many records. Where did you get your start? When I finished high school, I travelled overseas for a year and decided to enrol in a music college when I got back.
We had mutual friends and bonded over the music we had in common. Our first little song was number one on the NZ alternative charts, and our debut EP became critically acclaimed and the first EP to be reviewed and receive a five star rating in our national Sunday Paper. Early on, this kind of success was validating, and we did everything we could do keep making music. Thom and I dropped out of music college to pursue the band full time, living off a government unemployment wage for artists in NZ, released our second EP, and begun working on our first LP.
I was talking to Thom about this the other day, my mind went blank. I have the tendency to block traumas out for my own survival to keep my life moving in a forward motion. Do you have any advice for young creatives looking to break into the scene? Surround yourself with like-minded people, be disciplined in your field of work, no one is going to care more than you do.
Xayalith was born in New Zealand, and is the daughter of Laotian refugees. She has one older sister, one older brother,  and two other brothers. The track was produced by Simon Oscroft,  with a music video directed by Jason Lester. On 20 December , the singer announced that she was diagnosed with COVID, and that she was in a romantic relationship. With regard to the debut hit, Dan Shaw of We Are Happy Media stated that "With shimmering retro synths and powerhouse vocals front and centre, it blooms with romantic colours" going on to say that the "accompanying video mirrors the lyrical reveries of Xayalith, making a star of the Californian landscape".
From Wikipedia, the free encyclopedia. New Zealand musician born Xayalith performing with The Naked and Famous in Indie electronic post-punk revival  indie rock  synth-pop  electro-rock  noise pop  new wave . Musical artist. Main article: The Naked and Famous. See also: The Naked and Famous discography. Retrieved 11 December Retrieved 25 April Retrieved 25 July Consequence of Sound. Retrieved 8 July OC Weekly.
Radio New Zealand. NZ Musician. Clash Magazine. The Brag. Impose Magazine. Retrieved 15 December SGC Media. Character Media.
Alisa Xayalith is a New Zealand musician, and is best known as the lead vocalist, guitarist and keyboard player for New Zealand indie electronic band The Naked and Famous. Alisa Xayalith (born ) is a New Zealand musician, and is best known as the lead vocalist, guitarist and keyboard player for New Zealand indie electronic. Daughter of Laotian refugees, Asian immigrant woman in music. One half of The Naked & Famous. My debut solo single 'High Fidelity' OUT NOW. alisaxayalith.